How Do You Spell THOMAS TICKELL?

Pronunciation: [tˈɒməs tˈɪkɛl] (IPA)

The name "Thomas Tickell" can be phonetically transcribed as /ˈtɒməs ˈtɪkəl/. The first syllable of "Thomas" is pronounced with the short "o" sound, as in "not," while the "a" in the second syllable is pronounced with a longer vowel sound, as in "father." The surname "Tickell" has emphasis on the first syllable and is pronounced with the short "i" sound, as in "sit." Putting together the two names, "Thomas Tickell" is pronounced: /ˈtɒməs ˈtɪkəl/.

THOMAS TICKELL Meaning and Definition

  1. Thomas Tickell (1685-1740), an English poet and scholar, was born in Cumberland, England. He is best known for his poetic works during the Augustan Age, a period of English literature in the 18th century that followed the Restoration.

    Tickell's literary career began when he joined the University of Oxford, where he distinguished himself as a brilliant scholar. He was highly influenced by the works of Alexander Pope and Joseph Addison, and he soon became associated with the literary circle known as the "Scriblerus Club."

    As a poet, Tickell's style reflected the neoclassical principles of the time. His works primarily consisted of elegies, odes, and translations. He demonstrated a remarkable ability to infuse his writings with elegance, moral sentiment, and intellectual depth.

    One of Tickell's most significant pieces is his elegy, "On the Death of Mr. Addison," which he wrote to pay tribute to his close friend and mentor. In this elegy, Tickell beautifully captures the essence of Addison's virtues and achievements, while also lamenting his loss.

    Although Tickell's original works received critical acclaim, it was his collaborative efforts with Addison that garnered him the most recognition. He helped Addison with the preparation and publication of "The Spectator" and also produced translations of several classical works.

    In summary, Thomas Tickell was an esteemed English poet of the Augustan Age. His contributions to literature, particularly his elegies and translations, exemplify the neoclassical style of the era. His close association with Addison and his significant contributions to the "Spectator" further solidify his place in the literary canon of the time.